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dc.contributor.authorDinç, Enis
dc.date.accessioned2021-01-08T21:51:23Z
dc.date.available2021-01-08T21:51:23Z
dc.date.issued2019
dc.identifier.issn0143-9685
dc.identifier.issn1465-3451
dc.identifier.urihttp://doi.org/10.1080/01439685.2018.1479216
dc.identifier.urihttps://hdl.handle.net/20.500.12846/203
dc.descriptionWOS:000464585600002en_US
dc.description.abstractAlthough there are several general accounts of the history of cinema in Turkey, little is known on the use of film as a means of communication by Mustafa Kemal Ataturk and his followers in building the Republic of Turkey as a modern nation-state (1923-1938). Drawing upon primary archival sources and newly found footage, this study explores Ataturk's relationship to cinema during his time in power. By comparing the account of the making of a film about Ataturk on his Forest Farm by Fox Films in 1930, which was provided in a diplomatic letter from Joseph C. Grew, the American ambassador to Turkey, with the two surviving archival versions of this film, this study demonstrates how Ataturk used film to communicate his and Turkey's new image to the American public.en_US
dc.language.isoengen_US
dc.publisherRoutledge Journals, Taylor & Francis Ltden_US
dc.rightsinfo:eu-repo/semantics/closedAccessen_US
dc.titlePerforming modernity: the film of Mustafa Kemal Atatürk on his forest farmen_US
dc.typearticleen_US
dc.relation.journalHistorical Journal Of Film Radio And Televisionen_US
dc.identifier.volume39en_US
dc.identifier.issue1en_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.contributor.departmentTAÜ, Kültür ve Sosyal Bilimler Fakültesi, Kültür ve İletişim Bilimleri Bölümüen_US
dc.contributor.institutionauthorDinç, Enis
dc.identifier.doi10.1080/01439685.2018.1479216
dc.identifier.startpage18en_US
dc.identifier.endpage35en_US
dc.identifier.wosqualityN/Aen_US
dc.identifier.scopusqualityQ2en_US


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