| dc.contributor.author | Dinç, Enis | |
| dc.contributor.author | Akser, Murat | |
| dc.date.accessioned | 2021-01-08T21:51:21Z | |
| dc.date.available | 2021-01-08T21:51:21Z | |
| dc.date.issued | 2019 | |
| dc.identifier.issn | 0742-4671 | |
| dc.identifier.issn | 1934-6018 | |
| dc.identifier.uri | http://doi.org/10.5406/jfilmvideo.71.4.0051 | |
| dc.identifier.uri | https://hdl.handle.net/20.500.12846/177 | |
| dc.description | Akser, Murat/0000-0001-9772-394X | en_US |
| dc.description | WOS:000498694900004 | en_US |
| dc.description.abstract | [Özet Yok] | en_US |
| dc.language.iso | eng | en_US |
| dc.publisher | Univ Illinois Press | en_US |
| dc.rights | info:eu-repo/semantics/closedAccess | en_US |
| dc.title | Four Women in the Harem (1965) by Halit Refiğ: the construction of "national cinema" | en_US |
| dc.type | article | en_US |
| dc.relation.journal | Journal Of Film And Video | en_US |
| dc.identifier.volume | 71 | en_US |
| dc.identifier.issue | 4 | en_US |
| dc.relation.publicationcategory | Makale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı | en_US |
| dc.contributor.department | TAÜ, Kültür ve Sosyal Bilimler Fakültesi, Kültür ve İletişim Bilimleri Bölümü | en_US |
| dc.contributor.institutionauthor | Dinç, Enis | |
| dc.identifier.doi | 10.5406/jfilmvideo.71.4.0051 | |
| dc.identifier.startpage | 51 | en_US |
| dc.identifier.endpage | 64 | en_US |
| dc.identifier.wosquality | N/A | en_US |
| dc.identifier.scopusquality | Q2 | en_US |
