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Toplam kayıt 8, listelenen: 1-8
Verticalities in comparison: Debates on high-rise construction in Izmir and Istanbul
(2023)
Large-scale high-rise architecture projects have been central to the rise of the construction industry in Turkey in recent years. This vertical escalation, however, has not been received without dissidence. Scholars, ...
Zur theorie einer teleologischen methode in der islamischen normenlehre : Aš-Šāṭibīs (gest. 790/1388) konzept der absichten der scharia (maqāṣid aš-šarīʿa)
(EB-Verlag, 2015)
Glaube und Praxis stehen im Islam in einem sehr engen Verhltnis. Die auf die Praxis bezogenen normativen Forderungen der Scharia spielten fr das islamische Religionsverstndnis von Anfang an eine zentrale Rolle. Im 9. ...
Invoking the "Yolocaust"? German memory politics, cultural criticism, and contemporary popular arts
(Berghahn Journals, 2021)
The present study understands comedy in relation to the Holocaust as an attempt by Germany's third and fourth generations to create alternative forms of commemoration. Analyzing the country's history of coming to terms ...
The labor of the good: sustaining Berlin's temporal infrastructure in Turkish-run corner shops
(Nomos Verlagsgesellschaft, 2022)
Berlin's spoils (businesses that are similar to corner shops and open late hours and on Sundays) provide their customers with temporal flexibility. Amidst globally-rising xenophobic sentiments, Turkish owners and workers ...
Responsibility in the politics and politics of responsibility: an introduction to the special ıssue
(Nomos, 2017)
[Özet Yok]
Performing modernity: the film of Mustafa Kemal Atatürk on his forest farm
(Routledge Journals, Taylor & Francis Ltd, 2019)
Although there are several general accounts of the history of cinema in Turkey, little is known on the use of film as a means of communication by Mustafa Kemal Ataturk and his followers in building the Republic of Turkey ...
Distributed agency: diffusion of responsibility as problematic result of the digitization of social action
(Nomos, 2017)
This article addresses the question of whether, in the course of increasing digital action and decision-making programs, the concept of responsibility is still adequate to describe relations between actors, reference objects ...
Four Women in the Harem (1965) by Halit Refiğ: the construction of "national cinema"
(Univ Illinois Press, 2019)
[Özet Yok]